Tag: writing process (Page 1 of 3)

The 10-Year, 230-Rejection Journey of the YA Thriller BLACK BUTTERFLY

April 24, 2024 / Katie L. Carroll / 0 Comments

Surprise! My YA thriller BLACK BUTTERFLY, book one in the Spy Agents series, comes out May 21 and is available for pre-order on Amazon, Barnes & Noble, and Bookshop.org.

Check out this gorgeous cover by BetiBup33 Design Studio. This was my first time using a premade cover for a book, and I’m really pleased with the result. The designer was open to the small customization of adding in the butterfly mask over the face. It’s the same butterfly image that is part of the chapter headers inside the book.

Sometimes, you see an image and know it’s got the right vibe for the book, and that’s what happened here.

It may seem sudden that BLACK BUTTERFLY releases in less than a month because I haven’t really talked about it much, but this book was a long time coming. I started writing it back in 2014 (nope, not a typo…it’s really been 10 years!). Originally, I sought to have it traditionally published. There was quite a bit of interest from agents and a few editors, and it won a couple of contests. In the end though, it earned over 230 rejections (again, not a typo!) and never landed an agent or a publishing contract.

I shelved it for awhile, but I never gave up on it. Even though it’s quite dark with a terrorist attacks, violence, and torture, it was oddly fun to write. The main character, who has many aliases (we’ll stick with calling her Black Butterfly to avoid any spoilers), is an amnesiac and finds out she’s a government spy. She also discovers that she might not the hero of the story but the villain!

The story is told in 1st-person present tense, which is a very close point-of-view to work in. It was a really interesting writing challenge to make her an unreliable narrator, but (hopefully) the reader doesn’t end up feeling cheated by her keeping secrets. Anyway, the story and the character kept sticking around in my head, refusing to be ignored.

@katielcarrollauthor
Black Butterfly is the first book in the Spy Agents series! It’s a YA thriller with an unreliable narrator, hero or villain trope, conspiracy theories, and dystopian vibes. #dystopian #yabooktok #blackbutterfly #booksyoushouldread #thrillerbooks #spythriller #unreliablenarrator #yabooks #fastpacedbooks #dystopianbooks #spyagents
♬ dont look so concerned – bonnie ⛧

Fast forward to last year, and I started getting serious about writing a sequel with the thought that maybe I’d self-publish the series. Despite the many, many rejections of the first book, I have always believed in it. Coming across the cover image that fit the story so perfectly, I knew that I had to make BLACK BUTTERFLY a real book…not just a manuscript wallowing away on my computer.

I got the proof copy of the book the other day, and it’s so exciting that BLACK BUTTERFLY is going to finally be available to readers! Here’s a little about the book:

Is she the hero or the villain?

Black Butterfly wakes to a country devastated by terrorist attacks, supposedly at the hands of the Chinese government. She remembers nothing of her personal life—not even her name. All she knows is that she was in New York City on the day of the attacks. Though, she soon discovers she has an unsettling repertoire of violent talents.

Elijah and his found family of off-gridders from upstate New York take in Black Butterfly and mend her wounds. With nowhere else to go, she joins them as they head to a rally in Washington D.C. The eclectic group begins to feel like the family she can’t remember—or never had.

An encounter with Luca, a spy for a shadowy government agency, confirms Black Butterfly’s worst suspicions about who she was in the life she can’t remember. As more memories surface, Black Butterfly heads to the agency’s headquarters to find out who’s behind the terrorist attacks. It’s unclear whether she intends to reveal the truth or go back to her villainous way. And it’s more than her life she’s putting at risk.

Pre-order the paperback Amazon, Barnes & Noble, and Bookshop.org. The ebook is up for pre-order on Amazon and will be available on Kindle Unlimited.

When a Writer Doesn’t Have Time for Writing and New Books from Katie L. Carroll

October 13, 2022 / Katie L. Carroll

I have been longing to get back into creative mode. I’ve got a revision of my YA psychological thriller Hamlet retelling that has been inching along so very slowly. NaNoWriMo (National Novel Writing Month) starts in a few weeks, and I really want to draft my next YA during November.

However, with two book releases this fall (and approximately a thousand soccer games for my kids), there’s been little time for the actual book writing and revising. It’s a case of the writer not getting to actually write. The fact is being an author means marketing our books, and being an indie author means producing our books as well. I’ll get back into the fun stuff eventually.

The good news is that WITCH TEST is out in the world and spreading all kinds witchy, crow, Halloween vibes. It recently hit #1 in all its categories on Kobo, so that was super exciting! Thank you so much to all who have read, reviewed it, or shared it. Posting reviews on Amazon, Goodreads, and other book retailers is so helpful to authors because it increases the chance of new readers finding it.

MOMMY’S NIGHT BEFORE CHRISTMAS comes out in 12 days! It’s available for pre-order at all the usual places, like Bookshop, Amazon, Barnes & Noble, IndieBound, and Kobo. I’ll soon be getting the listing up on my Purchase Books page for those of you who are interested in signed copies. I’ve probably mentioned this before, but MOMMY’S NIGHT BEFORE CHRISTMAS makes for a great Christmas gift for any moms you know. I still can’t get over the beautiful illustrations by Phoebe Cho.

Here’s a little video I created for it. How’s your fall going?

@katielcarrollauthor
Mommy’s Night Before Christmas by Katie L. Carrol with illustrations by Phoebe Cho is the perfect gift for all the moms (and the kids). #mommysnightbeforechristmas #picturebook #christmasbooks #giftsforher #booktok
♬ We Wish You a Merry Christmas (music box) – yostimar

Learning A New Lesson With Each Novel

July 8, 2019 / Katie L. Carroll

For every novel I’ve written, I’ve learned a different important lesson about a major aspect of writing. Not all of these novels are published (yet!), but as I work on finishing up this round of revisions on ELIXIR SAVED and reflect on what I’ve needed to work on most in this manuscript, I find myself pondering all the other areas of writing that I’ve improved upon during this long journey of being a writer.

For my very first manuscript, ELIXIR BOUND, it was all about point of view (for a good overview of what POV is see “Different Types of Point of View” on The Beginning Writer). My early drafts of that story were a hot mess of different POVs sneaking in to disrupt Katora’s voice. Even though the story is in third-person POV, I learned over time that it had to be a closed, or limited, POV. Katora was the one who had to tell that story, but a lot of other characters wanted to have their say unnecessarily. It took me more feedback and revisions than I like to admit to get the POV narrowed down properly.

Then came PIRATE ISLAND, which started as an exercise in voice (for an idea of what voice is see “How to Create Voice in Writing” by Mary Kole). I wanted to write something very different from YA fantasy, so I delved into middle grade and went contemporary. Middle grade voice is very hard to do well, and I still don’t think I nailed it in PIRATE ISLAND. Billy, the main character, was originally 11 and I ended up aging him up to 13 in later drafts, largely because that slightly older voice worked better for my abilities as a writer.

The next manuscript I finished (I’m skipping over that still unfinished WIP whose only lesson was teaching me when to shelf a manuscript) hasn’t been published yet, but I’ve talked about it here on the blog a little. That was is my YA thriller BLACK BUTTERFLY, which is super dark and gritty. There are flashbacks and it’s all in first-person present tense and was very intense and fun to write. The lesson here was all about novel structure. I played around a lot with the scenes and where they end up in the final version of this story. I wrote a lot of the story out of order, too. The first time I had ever done that and it was a very freeing experience that I continue to use in my drafting process.

That brings us to the novel I’m currently working on revising ELIXIR SAVED. As a companion novel, it’s been an interesting process to keep all the continuity issues in order. Surprisingly, the lesson here has been in world building (see “20 Things to Consider When Building Fantasy Worlds” by Sara Raasch for more about world building). Some of the world building was done in the first Elixir book, but we see a lot more of the world in SAVED, so there more work to be done for this manuscript. It has three different POV characters that go off into three different parts of the world, much of which wasn’t explored in the first Elixir novel, so I had a lot more world building to add.

One of my goals with the Elixir novels has been to create a super feminist world in the sense that there is no patriarchy in this world. So one of my biggest challenges was to check myself and my internal biases to see if those patriarchal views were sneaking in (and even for someone who considers themselves a feminist, I found a lot of those things rearing their ugly heads, and I’m sure I’ve missed some as well). This was a huge consideration in my world building.

I’m sure there are more lessons to come along this journey. And these are only the biggies that have come from each novel. There have been many, many other smaller lessons along the way. And that’s not even taking into consideration the publishing lessons I’ve learned or the ones I’ve learned from writing picture books. What have you learned from your own writing?

June #InkRipples: Utilizing Blurbs in the Drafting Process

June 7, 2017 / Katie L. Carroll

When I first found out I was expected to write my own blurb for ELIXIR BOUND, I was kind of terrified. The blurb is one of the most important selling tools of a book, probably only second to the cover. If a cover and title draw in a reader, chances are the next thing they’ll look at is the blurb in order to decide if they’re going to read the book.

What exactly is a book blurb? It’s what some call jacket copy, and it’s the brief description of the story you find on the back or inner jacket of a print book and in the book’s listing online. Some big publishing companies will write the blurbs for their authors (though they may take phrases from the author’s or agent’s original pitch of the book), but small presses often look to authors to provide one. And in self-publishing, of course, it’s up to the author to write a blurb or hire someone to do it for them.

Here’s what I came up with for ELIXIR BOUND.

Katora Kase is next in line to take over as guardian to a secret and powerful healing Elixir. Now she must journey into the wilds of Faway Forest to find the ingredient that gives the Elixir its potency. Even though she has her sister and brother, an old family friend, and the handsome son of a mapmaker as companions, she feels alone. It is her decision alone whether or not to bind herself to the Elixir to serve and protect it until it chooses a new guardian. The forest hosts many dangers, including wicked beings that will stop at nothing to gain power, but the biggest danger Katora may face is whether or not to open up her heart to love.”

I have actually started writing blurbs for stories as part of my drafting process. Sometimes I do this right at the beginning of the first draft and other times I’ll use the blurb writing as a tool to get me unstuck when I reach a tricky part of the drafting process that has me stalled.

I don’t generally outline a story before I write it (I’m what’s referred to as a panster vs. a plotter, who will outline the entire story before starting to write it), though I do usually know what the end point of the plot will be and at least some of the main plot points along the way (I do this all in my head in the beginning). I’ve found the blurb is a good tool to help me shape the story as I move along with it, and it also serves as a good reminder of what my original intentions were.

A blurb is not as rigid or detailed as an outline, so there’s plenty of room to move and change the story. It generally doesn’t take too long for me to whip up a blurb these days, so it’s not something that requires a huge time investment. That way I don’t feel like I’ve wasted time if I end up throwing the whole blurb out at the end and starting over once the draft is finished. As opposed to having a whole outline already written out and then having the book take an unexpected turn and having to rethink the entire outline. (I’m not disparaging plotters…I think we all work in the best way we can and every writer needs to do what works for them.)

Since writing that first blurb for ELIXIR BOUND, I’ve had a lot more practice with them, both for my own stories and as an editor for other writers’ stories. If I could do it all over again, I’d probably make some changes to the ELIXIR BOUND blurb, but it’s sufficient enough to leave as is…for now anyway!

Recently I revealed the cover and blurb for PIRATE ISLAND. I decided to do a tagline teaser at the beginning before launching into the summary part of the blurb. One difference between writing a blurb for a YA or adult book vs. one for a middle grade book is that many middle grade books are bought by parents for their kids, whereas YA and adult books are primarily bought by the person who is going to read it. So that’s an extra layer of audience that needs to be kept in mind. I’m hoping young readers and their parents will be drawn in to the story based on what I came up with for PIRATE ISLAND:

A thrice cursed island, a legendary pirate treasure, and one not-so-brave boy. What could possibly go wrong?

For centuries, the whereabouts of Captain William Kidd’s lost pirate treasure has remained a mystery. When Billy’s best friend, Andy, proposes they look for it on nearby Pirate Island, Billy thinks it’s just another one of their crazy adventures. It’s usually Billy who ends up in trouble as a result, but he goes along for the ride…like always. The more he delves into the life and death of Kidd, the more he thinks the treasure is real and that it might be buried on the small island in Long Island Sound. Billy—nope, call him William—becomes obsessed with the captain of the same first name. He even believes he’s possessed by Kidd’s restless soul. Now he and the spirit of a long-dead pirate are leading the crazy adventure on Pirate Island. And what they find is far bigger than the treasure they imagined.”

A lot of blurb writing is about finding the right balance between giving enough specifics to entice a reader in while also not giving away too much of story to spoil it. You also want to make the writing interesting and not read like a plot summary (because that’s boring). It’s tempting to be all movie trailer dramatic in a blurb and be too generic. I find phrases like “must save the world” or “will the star-crossed lovers ever be together?” to be far less effective than something more specific to the actual story. Hooky sound-bites are great, so long as they offer something unique to the story.

What kinds of blurbs have your read that made you just have to pick up a book?

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (June is all about book blurbs), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

April #InkRipples: Revision is Hard

April 3, 2017 / Katie L. Carroll

Join Kai Strand, Mary Waibel, and Katie L. Carroll (that’s me!) for April #InkRipples, which is all about revision.

There is more to writing a novel than simply putting words on a page and calling it a book. It’s a process. A major part of that process is revision. And it’s not my favorite part. I much prefer the excitement of drafting when I’m adding words and feeling the story come together. Once the first draft is done, it’s always such a letdown to think about the story I conceptualized and realize the rudimentary version I have is nothing close to that.

Not all writers feel this way. I’ve known some who go as far as to say they love revising! Sadly that is just not the case for me. Revision often feels overwhelming to the point that I am inclined to avoid it. Of course I want my work to be the best it can be, but I find it’s hard to know how to specifically make it better and to be objective about my work (one day I can love what I’ve written, and the next hate that very same piece of writing). I actually think I’m much better at having insights into other people’s work and helping them on a path to revision.

Another obstacle is that I’ve found each manuscript ends up having different needs in revision. It’s hard to come up with a foolproof method of revising when the same thing never works on two different stories. But through trial-and-error and becoming more knowledgeable about the process (from writing workshops and reading about what other writers do) I have managed to come up with some techniques to help with the daunting process of revision. Stay tuned next week for when I share some of those tips!

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (April is about revision), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.