Books for kids, teens, & those who are young at heart

Tag: The Great CT Caper

School Visits, a Book Launch, and Dr. Seuss’s Birthday!

20160302_132040What better day than Dr. Seuss’s birthday than to celebrate how I’ve been living a creative life? And though I haven’t been writing in the drafting-a-new-book sense (my favorite kind of writing), I’ve been immersing myself in the creative life in other ways.

The reign of school visits ended last week. In less than three weeks, I taught eight writing workshops to more than 200 students, ranging from grades 4 to 7. This particular workshop is about where story ideas come from and includes a guided writing/thought exercise where the kids come up with their own story ideas. They never cease to amaze me with their thoughtfulness and creativity. The workshop is about inspiring kids, but I always come out inspired by them!

After one session, a 6th-grade girl walked down the hallway with me and shared a poem she had written about herself. It was lyrical, had a great cadence, and optimistic, a beautiful portrayal of herself. After another, nearly the entire 4th-grade class lined up with their scraps of papers and waited in line for my autograph, totally making me feel like a celebrity. Connecting with young readers and writers is 20160302_132004magical! Plus, talking with the librarians and teachers who teach these kids everyday is informative and inspiring.

Monday the Connecticut Humanities and the authors and illustrators of THE GREAT CONNECTICUT CAPER celebrated the hardcover and audio release of the book at a local library. It’s always fun to catch up with my Caper collaborators. I haven’t listened to the whole audio version yet, but what I did listen to was brilliantly narrated (listen to the Caper audiobook here).

Of course, I’ve been reading a lot. In particular, I’ve been stepping out of my comfort zone of YA and reading adult books and non-fictions. And always, always, always reading to the boys. Last week I squeezed in visiting The Boy’s pre-school class for World Read Aloud Day. I’ll leave you with some of our favorite Seuss books.

I can read Sneetches The Lorax The Shape of me

Busy Times and The Great CT Caper Book Launch

The school visits have all been wonderful so far! (I’ll have some really fun stuff to share from them soon when I get a chance to breathe.) Two more single workshops this week and then I’m done for awhile.

Also, I’ll be attending THE GREAT CT CAPER book launch (registration required, but the event is free) on Monday, February 29, 2016 from 4:00 – 6:00 p.m, hosted by the CT Humanities. The middle grade serialized mystery is now a hardcover book. Meet some of the authors and illustrators, enjoy light refreshments, and snag some Caper goodies.

In the meantime, the cool dudes at my house are happy the sun came out!

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Facts in Fiction with THE GREAT CT CAPER Author Laura A. Woollett

Have you read chapter 4 of The Great CT Caper yet? If not, you’ll certainly want to after getting an inside look at how chapter 4 author Laura A. Woollett conducted her research for the Caper. Welcome, Laura!

CTCaper_poster_finalFacts In Fiction

by Laura A. Woollett

I’ve been thinking a lot about how facts figure into the writing of fiction. If your fictional story is set in a real place or has real people in it, how much creative license do you have?

Research is a crucial element to creating historical fiction. The reader must feel as if he or she is IN that time and place. That means getting details such as clothing, cuisine, and architecture correct for the time period. But what about realistic fiction that takes place in the current time period? What about in a story like The Great CT Caper, which is a fictional mystery set in a real location that young readers can visit for themselves?

Big Top BurningMy first book, Big Top Burning: The True Story of an Arsonist, a Missing Girl, and The Greatest Show On Earth (Chicago Review Press, June 2015) is nonfiction. Every detail was meticulously researched through primary source documents. I’m accustomed to gathering facts and presenting them in an engaging story format. As I wrote my chapter for The Great CT Caper, I wondered how close I had to stick to the facts of the real-life setting.

I began thinking about this project by taking a trip Gillette’s castle. It was a beautiful, sunny September day, and flowers were still blooming. The Connecticut River rushed by far below the castle’s teeth-like walls. Inside, I passed through a secret passage and leaned over the balcony to look down on the great hall. I touched the walls covered in a woven hemp-like material and counted the Gillette_Castlemany carved wooden doors, each one unique. Fiction feels its most real when the sensory details are just right. Since our story would take place at this real location, it felt important for me to experience what Li-Ming and Thomas would first hand.

Including details from the castle was important, but I did not want my chapter to sound like a report, so stuffed with facts it would appear I were teaching kids about the castle rather than telling a story that happened to take place there. I had to pretend the castle wasn’t a real place at all, but an imagined one, and like in any well-written fiction, I would only include details that gave the essence of the setting and furthered Gillettes_Bedroomthe plot. If the detail was not important to the scene, I cut it, even if it were true. Somewhere in Chapter 4, I took a bit of artistic license. Can you tell where?

Whether writing fiction or nonfiction, writers want their scenes, their characters, and their stories to ring true. Here are my goals for any writing project:

  1. Do your due diligence.

Go online and research reputable sites that have information on the time and place where your story is set. Better still, go to a library and ask a librarian. Best case, if you’re using a real setting you don’t know much about, visit. Take notes and pictures. Talk to the experts or people living there.

  1. Be true to the time and place.

This means no anachronisms. If trolley cars had stopped running through Hartford during the time of your story, you cannot have your characters riding on them. Get the clothing right, the types of food, the music people listened to, and the world events that shaped their lives.

  1. Do your best.

In the past, I’ve wrung my stomach into knots worrying that I’ve messed up some factual detail. And in my experience, if I’m feeling this way, it means I’ve definitely done #1 and 2, so it’s time to let that worry go.

LauraAWoollett_1colorAbout the Author:

Laura A. Woollett has a Master’s degree in Children’s Literature from Simmons College and is a full-time writer and editor of literacy curriculum for children in kindergarten through grade 12. Her first book for middle-grade readers, Big Top Burning: The True Story of an Arsonist, a Missing Girl, and The Greatest Show On Earth, a nonfiction account of the 1944 Hartford circus fire, will be published by Chicago Review Press in June 2015. Laura is the author of Chapter 4 of The Great Connecticut Caper, a middle-grade serialized whodunit published online through the CT Center for the Book, January–June 2015.

The Process of Serial Writing and Chapter Two of The Great CT Caper

CTCaper_poster_finalTHE GREAT CT CAPER, a serialized mystery for young readers about Gillette Castle gone missing, launched at the beginning of the month. I’m thrilled to announce Chapter two is out! And I wrote it! If you haven’t read chapter one yet, I highly recommend you do that before heading on over to my chapter.

I’m avoiding any major spoilers in this blog post about writing chapter two, but you might want to read the chapters first, just so you’re not unduly influenced during your reading. So far it’s been great fun creating a chapter and finally getting to see both the illustration by a Connecticut artist and the curriculum guide for my chapter. Here’s my journey of being a part of this adventure.

Getting the Assignment

When I heard that the CT Humanities was looking for authors and illustrators from CT to create a serialized story based on a missing state landmark, it sounded like a fun project, so I sent out my writing sample, personal statement, and resume. I was super excited to get a phone call informing me I was selected as one of the twelve authors and that I would soon find out what chapter I would be writing.

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A sneak peek at Gillette Castle as we approached it from the grounds.

We were told the public has chosen Gillette Castle as the missing landmark (the landmark I voted for in the poll!) and that the target audience was kids ages 9-12. We would be provided with some facts about the castle and William Gillette, the man who designed the castle and lived there, and the previous chapters. Then the authors would be given free rein to be creative, fun, informative, whatever we wanted to be in our chapters. The only hitch was that we would each have just one week to write the chapter and then a follow-up week to edit it. Phew!

I originally thought I’d be writing one of the middle chapters in early 2015, but then I got an email that asked me if I’d be able to write chapter two in late September (which was only a few weeks away).  I was nervous about getting it done (with The Prince only being a few months old and a family vacation planned for early October), but excited. Chapter two seemed like the perfect chapter to write in this kind of serialized storytelling with multiple authors.

I wouldn’t have the responsibility of laying the groundwork of a whole story like the chapter one author (read about Yelizaveta P. Renfro’s approach to chapter one here), but I also wouldn’t have too much story to keep track of like authors of later chapters. And I figured I’d have lots of leeway to put my mark on the story since I was assigned such an early chapter. All in all, a pretty good deal.

A view of the Connecticut River from Gillette Castle.

A view of the Connecticut River from Gillette Castle.

Doing the Research

As part of being involved with the Caper, all the authors and illustrators were offered a free visit to Gillette Castle. Now I had seen the castle from the Connecticut River while on a boat tour, but I had never been up close to it or inside. After reading some information about it on the Internet, I decided I just had to try and get there before writing my chapter. With the crazy, brilliant mind of William Gillette behind the design of it, I wanted to see the spying mirrors, secret passages, and medieval design in person.

The boys and I hanging out on one of the balconies.

The boys and I hanging out on one of the balconies.

So the hubby took a day off from work; we packed the boys, lunch, diaper bags, and supplies into the car; and took a drive to East Haddam, CT to check out Gillette Castle State Park. Boy was it worth the trip! It was rainy that morning, so we didn’t get to explore the grounds much (there are acres of hiking trails in the park), but we got full run of the castle and the tour guides because there was hardly anyone else there on a random, rainy weekday in early September.

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William Gillette posing as Sherlock Holmes.

With The Prince strapped to me in a baby wrap and my phone camera and notebook in hand, I was ready to explore. I asked the gracious tour guide lots of question (he even had questions for me about the Caper…he had heard of it but didn’t know much about it), took a ton of pictures, and really just took it all in. The castle is small, as castles go, but there are so many little details to it and lots of information about William Gillette, who was a fascinating person. Most notably, he was the actor who created the character of Sherlock Holmes as we know it today with the deerstalker cap and curved pipe.

Seeing the castle and learning about William Gillette really got my imagination going. On the ride home, I jotted down some key ideas and images that popped into my head and hoped that I’d be able to include even a little of what had inspired me.

Writing the Chapter 

Before I knew it, I had received my email with chapter one and the plot and character cheat sheet (pretty short given there was only one chapter before mine). Then it was time to get my creative juices on! As I read through chapter one, little bubbles of excitement percolated in my belly as I met the characters and got a feel for the voice of the story. There was a lot to work with, and so many places I could take the story. Then I read the first chapter again and I continued to look back at it as I began writing my own.

One of the many doors, not two of which are exactly alike, in the castle. This particular one plays a role in my chapter.

One of the many doors, no two of which are exactly alike, in the castle. This particular one plays a role in my chapter.

I saw lots of opportunities to use some of the ideas and notes from my visit, but I knew I would have to be selective. I had only 650 words to work with and lots I wanted to do. First, I had to make sure to move the story forward and I wanted lots of action in my chapter. I also wanted to continue to develop the already established characters and maybe add in a few new ones. I wanted to add some magic, because that’s what I love to read and write about, and it made sense that magic would be involved in the disappearance of a castle!

And I really, really wanted to include Gillette Castle in my chapter. That detail was a bit tricky because the chapter was so early in the story and I couldn’t have them finding the castle and the characters being like, “Okay, mystery solved.” So I used the magic system I had come up with to accomplish being able to have the castle in the story but without solving the mystery. I decided to start the chapter with a bang (literally a boom!) of magic and get right into the action.

One other idea I had toyed around with was including one of my favorite places in CT, a place I had visited many times growing up and continue going to as an adult with my kids. (Want to know which place that is? Well, you’ll have to read the chapter to find that out.) I’ve lived my whole life in CT and I think it’s a special place, so I really wanted to highlight one of the things I love about the state.

On location at the other CT lan

On location at the other place in CT I wanted to feature in the story.

The new characters came in the form of villains because I thought it was important to introduce them early on in the story. Chapter one had established the protagonists very well, so I added in a couple of antagonists right at the end of the chapter.

The first chapter had ended with a great cliffhanger, and I had to end the next one like that as well. It’s important to end any chapter in a novel in a way that keeps the reading turning the page, but this element is especially important in a serialized story. I also wanted to conclude in a way that the next author could pretty much take the story in whatever direction they wanted. If they wanted to continue using the magic system I had established, they could, but they could also chose not to use magic in their part as well.

Plus it all had to make sense, it had to feel complete and not rushed, and it had to have a story arc of its own with some semblance of a beginning, middle, and end. All the while, I wanted to move the story forward. I was always conscience of having “stuff” happen and making the most of my words.

In retrospect, looking back at all the things I wanted to accomplish seems like it was a big task, but it kind of all flowed. (Thankfully, because I had to write it all in one week!). The hardest part was paring it all down to fit in the word count. I kept going back and trimming, trimming, trimming. I cut out unnecessary words. I took out all but the most important details and descriptions. I threw out anything that just wasn’t essential to the plot.

And you know what? I had a lot of fun doing it. Before I knew it, I had written my chapter, completed my edits, and just had to wait for the story to come out.

Marketing and Partying and Such

Since completing my chapter, I’ve also had a lot of fun meeting the other authors and illustrators and marketing the story. I invited them to guest post on the blog and I met a bunch of them in person at the launch party in Hartford, CT. It was great to have an evening out with adults (I had to actually change out of my sweatpants!). I also met some really enthusiastic teachers and librarians who are bringing the Caper to their schools. I’m looking forward to the second launch party next week at the Peabody Museum in New Haven, CT (sign up here for the free event).

The CT Humanities brought the idea of a serialized, state centered story to CT and other state organizations have gotten involved too. And all the people involved have been great to work with and meet. It’s really made the whole experience worth it (because, yes, all the authors and illustrators volunteered our time to the project…i.e. we didn’t get paid). I’ve always found trying to market my writing to be really hard and a bit of a drag, but I’ve actually had a lot of fun spreading the word about the Caper. I think having a solid network behind the project has really helped with that. I plan on taking what I’ve learning about marketing to future releases of my own titles.

Like the rest of you, I have not read the rest of the chapters. So I’m really excited about seeing where everyone else has taken the story. I’ve heard some rumors, which I could mention here but then I’d have to track you all down to silence you, so I’m keeping my mouth shut about those! I hope that many kids enjoy following along with the story and the games and activities. I hope, too, that other states see what CT has done with the Caper and do their own versions. Maybe CT will even do another one in the future. There are so many possibilities with this kind of storytelling.

So go read those chapters and share here what you think will happen next in THE GREAT CT CAPER!

Yelizaveta P. Renfro on Writing Chapter One of the Great CT Caper

_DSC2729_01Writing the First Chapter

by Yelizaveta P. Renfro

The assignment: to write the first chapter of The Great Connecticut Caper, a serialized storybook that would be created by twelve different writers and twelve different illustrators living in Connecticut.

The target audience: children in grades four through seven.

The premise: Gillette Castle is going missing!

The challenge: to create an engaging, fast-paced opening chapter that would introduce sympathetic characters and lay out some basic plot elements. And to do it in under 650 words.

The process: The first step was research. We made a family trip to Gillette Castle in East Haddam where we learned about William Gillette, the eccentric actor who brought Sherlock Holmes to life on the stage and who designed his twenty-four room mansion to resemble the ruin of a medieval castle. We toured the home, looking at hidden passageways and the surveillance system based on strategically placed mirrors, and we wandered the grounds, admiring his personal railroad track as well as his woods and views of the Connecticut River.

_DSC2855_01But we weren’t done yet. On another weekend, we took a ride on the Essex Steam Train and the Becky Thatcher Riverboat, learning about the Connecticut River, getting a different vantage point of Gillette Castle from the water, and discovering more about William Gillette.

As a writer, I often start projects with research. And as a parent, I often take my kids along. But this assignment was different. I am primarily a writer of books for adults, and this project was writing for children. Luckily, I had my own kids to consult.

So after the research stage, I had a long brainstorming session with my fourth grader (with the first grader listening in and offering occasional advice). We discussed what makes a good story and interesting characters. We talked about mystery books for children. We tossed around ideas for the story and possible character names. The fourth grader taught me how to make a character map, and she created several for possible characters. The first grader made one as well.

We agreed early on that the protagonists should be children, and that there should be two of them—a boy and a girl. (We discussed Ron Roy’s and Mary Pope Osborne’s books as examples.) The names and character traits of the boy and girl kept changing, but we finally settled on Thomas and Li-Ming. And during a long walk through our neighborhood, the fourth grader and I discussed different possible openings. Should the protagonists be touring the castle? Should they be on a riverboat cruise? What other characters should be introduced? What should happen at the end of the chapter?

There would be a cliffhanger, we decided, so readers would want to tune in for the following installment. And we needed to create openings for other writers to build the story—characters who could be further developed, situations that could be interpreted in more than one way.

Finally, once we had hashed out everything, I wrote the chapter. The first draft came in at over 900 words. So then I cut, and I cut some more. And finally, when the chapter was just under 650 words, I read it to my kids. They loved it. But they also had a few suggestions. I revised. I read it again.

It was a process of learning together. I shared what I knew about storytelling with my kids, and they shared what they knew with me.

The outcome: See for yourself at http://ctcaper.cthumanities.org where the first chapter was posted on January 4. And please check back every two weeks as more chapters go live. I am looking forward to seeing where the story goes from here. And so are my kids.

Renfro (2)About the Author:

Yelizaveta P. Renfro is the author of a collection of essays, Xylotheque, available from the University of New Mexico Press, and a collection of short stories, A Catalogue of Everything in the World, winner of the St. Lawrence Book Award. Her fiction and nonfiction have appeared in Glimmer Train Stories, North American Review, Orion, Colorado Review, Alaska Quarterly Review, South Dakota Review, Witness, Reader’s Digest, Blue Mesa Review, Parcel, Adanna, Fourth River, Bayou Magazine, Untamed Ink, So to Speak, and elsewhere. She holds an MFA in creative writing from George Mason University and a Ph.D. in English from the University of Nebraska. Currently a resident of Connecticut, she’s also lived in California, Virginia, and Nebraska. To learn more about her work, visit her blog at http://chasingsamaras.blogspot.com/p/writing.html.

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