Books for kids, teens, & those who are young at heart

Tag: Suzanne Collins

Young Adult Literature Should 100% Be For Teens

Do I agree with the article called “YA Isn’t Just for Young Adults”? Absolutely not. Young adult literature (or what is commonly shortened to YA) is 100% for teens. (We’ll get into whether a teen is a young adult in minute.) Does that mean adults can’t read YA? Also, no. Does that mean teens can’t read things other than YA? Again, no.

I’m not presuming to tell anyone what they can or can’t read. What I’m saying is that young adult literature should be written for teens. Period. We don’t need to age YA up because some adults read it and wish that it had more mature content. Adults have their own huge category of books already. Romance novels alone are a billion-dollar industry.

I recently expressed this sentiment in a TikTok video. The text of the video reads, “YA books are made for teens. No one’s stopping adults from reading them. They should still be for teens. Let’s stop trying to make YA for adults, and let’s stop labeling books YA if they’re not for teens.” It sparked quite the debate, which I’m happy about.

Let’s talk about what YA books are, who they should be for, and what’s appropriate content for a YA book!

One of the most frequent comments on the video pointed out how it’s weird to call books for teens “young adult” because young adult people are ages 18 to mid-20s and teens are ages 13 to 18. I get that, so I created a follow-up video to explain the industry term of “young adult,” which was coined in the 1960s.

While I think debating about whether it’s an appropriate term is a related issue, it’s not the main one. The fact is “young adult” is a widely used term that has been around for a very long time and has always meant books for teens. And everyone–the publishers, authors, editors, and booksellers–in the children’s publishing industry (because YA falls into the bigger category of children’s books) knows this.

But what’s happening in recent years is that people in the YA publishing industry– like YA author who penned the article positing that YA isn’t just for young adults–have been pushing the YA category into older and older content. This means that many new YA books have characters that are 16 and older and content that is more appropriate for older teens and adults.

Why is this happening? Starting in the early 2000s, YA saw huge growth with the rise of worldwide bestsellers like Twilight by Stephenie Meyer and The Hunger Games by Suzanne Collins. The first books in both those series released in 2008 and spawned popular movie franchises. In short, YA books became big money.

Then in 2012, a study by Bowker Market Research revealed that 55% of YA books were purchased by adults 18 and over with the largest chunk of those adults being between the ages of 30 and 44. The YA publishing industry realized that there was a huge market of adults buying YA…thus began the trend of moving the YA market into older and older territory.

Another issue with the label of “young adult” is that it’s being used on books that are actually adult books. This seems to happen most often in fantasy books written by women (patriarchy at play here). Two examples being a A Court of Thorns and Roses by Sarah J. Maas and Fourth Wing by Rebecca Yarros. Full disclosure, I haven’t read either of these books, but it’s clear that both of them contain spicy sex scenes, meaning scenes that are meant to be titillating. Spicy sex scenes do not belong in YA.

I’m not saying sex and sex-related topics don’t have a place in some YA books. I wrote a whole post called “Why I Included Abortion in My Young Adult Fantasy Novel” back in 2020, which is about my book Elixir Saved. But labeling books YA when they have sexually explicit content is a disservice to all readers, and it continues to muddy the waters on what YA is.

Young adult books can have all manner of edgier content like gore, violence, and sex. After all, YA is an age category, not a genre, so it contains most book genres, like mystery, thriller, fantasy & sci-fi, and romance. The key is to always keep the core audience of teens in mind when considering what content is appropriate. Also, it’s key to understand that YA is range. What is appropriate for a 13-year-old reader varies greatly from what’s appropriate for an 18-year-old one.

Why is it a problem that YA is skewing older? There is clearly a market for YA books that have more mature content and there’s profit to be gained. But at what cost?

We’re leaving a lot of teen readers behind. Where are the books for the 13-15 year-old readers? Where are the books for older teens that don’t want mature content? What will happen to the book industry in the future if we fail teen readers now? Who’s going to buy YA then?

Teens of all ages deserve books that are written for them. And not just a handful of books. They deserve a wide variety of books and a wide number of books in all kinds of genres. Teens need books that are specifically written for them at all stages of maturity.

Adults have plenty of books to read that are written specifically for them. Adults are guests in the YA space. And those of us who make YA books need to remember that.

May #InkRipples: 10 YA and MG Novels Inspired by Fairy Tales & Myths

Last week I touched on why fairy tales make for such good fodder for story ideas. And as promised, here are some of my favorite YA and MG novels that drew inspiration from fairy tales and myths (I’ve included myths here because they are also great sources of inspiration for similar reasons that fairy tales are…and I happen to have some great examples!) with quotes from the authors to give you even further insight into their ideas.

CRUEL BEAUTY by Rosamund Hodge

“A good fairy tale retelling taps into that sense of story-behind-story. It feels inevitable. You read it and you think, Yes, obviously, this is what happened. This is what it means. Writing a fairy tale retelling feels like discovery, not invention. Why did I combine Beauty and the Beast with Bluebeard? Because I was thinking about those stories one day and I realized, Beauty married the Beast in order to kill him. She’s afraid she will die like his previous wives. That’s what happened. How else could it be?” ~Rosamund Hodge (from an interview on Epic Reads)

ASH by Malinda Lo 6472451

“Ash has gotten a lot of attention because it is a lesbian retelling of Cinderella. But my first draft had nothing gay about it–Ash, the main character, fell in love with the prince…. After I got some feedback from a friend, I realized that Ash was actually much more interested in one of the female characters, the huntress. That realization was startling to me; I had written all of that into the story without even consciously knowing it.” ~Malinda Lo (from an interview on Cynsations)

THE LIGHTNING THIEF by Rick Riordan

“My son Haley asked me to tell him some bedtime stories about the Greek gods and heroes…. I remembered a creative writing project I used to do with my sixth graders — I would let them create their own demigod hero, the son or daughter of any god they wanted, and have them describe a Greek-style quest for that hero. Off the top of my head, I made up Percy Jackson and told Haley all about his quest to recover Zeus’ lightning bolt in modern day America.” ~Rick Riordan (from the author’s website FAQ)

8084BEAUTY (and ROSE DAUGHTER) by Robin McKinley

“Beauty and the Beast has been my favourite fairy-tale since I was about six; I still have the book I first read it in. When I wrote Beauty, I sat down, as I thought, to write a short story, and found I had more to say than I expected…. Beauty and the Beast is still my favourite fairy-tale…it was the only fairy-tale around that didn’t have the heroine waiting limply to be rescued by the hero…. I wrote Rose Daughter, as I say, in a six-month hurtle. And in hindsight I realize what fueled the hurtle, why, having tapped into a new lode of Beauty and the Beast in my mind and heart and bloodstream, the story shaped itself and shot out onto the page as it did.” ~Robin McKinley (from an essay on author’s website)

ELLA ENCHANTED by Gail Carson Levine 

“I wrote [Ella Enchanted] because I love fairy tales and I’d just read Beauty by Robin McKinley, which I admired enormously…. I was starting a new writing class and needed an idea, so I thought maybe I could expand a fairy tale too. “Cinderella” is such an important tale, it’s the first one I thought of. But when I considered it, I realized I didn’t like Cinderella or understand her. She’s so disgustingly good! And why does she take orders from her horrible stepmother and stepsisters?” ~Gail Carson Levine (from the author’s website)

ICE by Sarah Beth Durst 6321845

“I was initially inspired by a picture book of the Norwegian folktale “East of the Sun and West of the Moon” illustrated by P.J. Lynch. Specifically, there’s one illustration in there of the “lassie” where she has her hand on her hip and she’s wearing this you-won’t-stop-me expression. As soon as I saw that illustration, I knew I wanted to write about that kind of girl–a fearless girl who won’t be stopped.” ~Sarah Beth Durst (from an interview on YA Book Queen)

THE HUNGER GAMES by Suzanne Collins

“[The Hunger Games is] very much based on the myth of Theseus and the Minotaur, which I read when I was eight years old. I was a huge fan of Greek and Roman mythology. As punishment for displeasing Crete, Athens periodically had to send seven youths and seven maidens to Crete, where they were thrown into the labyrinth and devoured by the Minotaur, which is a monster that’s half man and half bull. Even when I was a little kid, the story took my breath away, because it was so cruel, and Crete was so ruthless.” ~Suzanne Collins (from an interview with the School Library Journal)

QUEST OF THE HART by Mary Waibel 

“Quest of the Hart…the first book in the Princess of Valendria series, is a reverse Sleeping Beauty. This story all started when a friend suggested I write a book where the girly-girl saves the guy. While thinking about how to adapt this idea, I kept thinking of the princess in the tower needing rescue, and Sleeping Beauty popped into my mind. I pulled out my DVD, sat down with pen and paper, and jotted down the sequence of how things happened in the Disney version. Armed with a plan, I started working on my own version, and Quest of the Hart was born.” ~Mary Waibel (from an email from the author)

CINDER by Marissa Meyer 

“I entered a writing contest [and chose two prompts]: Set the story in the future and include a fairy-tale character. My contest entry was a sci-fi version of “Puss in Boots” and I had so much fun writing it that I thought I would try to do an entire series of science-fiction fairy tales!… So I started to brainstorm what futuristic twists I could give to some of my favorite fairy tales. A couple months later I was drifting off to sleep when the lightning bolt struck: Cinderella… as a cyborg! My head instantly filled with all sorts of ideas and I had to crawl out of bed and start taking notes.” ~Marissa Meyer (from the author’s website FAQ)

ENTWINED by Heather Dixon 8428195

“I’ve always loved the Twelve Dancing Princesses.  I remember looking through page after page of a beautifully illustrated storybook when I was a kid, and just wishing I could live in their world.  So, the visual element just really stuck for me.
I also have, like, a million sisters.” ~Heather Dixon (from an interview on Enchanted by a Book)

 

Okay, now it’s your turn to share your favorite retellings (and feel free to branch out from books and include other media)!

#InkRipples is a monthly meme created by Katie L. Carroll, Mary Waibel, and Kai Strand. We pick a topic (May is about fairy tales), drop a ripple in the inkwell (i.e. write about it on our blogs), and see where the conversation goes. We’d love to have you join in the conversation on your own blogs or on your social media page. Full details and each month’s topic can be found on my #InkRipples page.

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